Today we’re checking out an incredible carbon fiber F-style replacement neck from @Klosguitarscarbonfiber 🎸⚡ After falling in love with the carbon fiber neck Klos sent for my Ultra II Jazz Bass, I decided it was time to build a matching guitar. So in this video, I install one of their Strat-style replacement necks onto my Ultra II body loaded with EMGs… and the results are seriously impressive. The fit and finish were spot on. Installation was incredibly easy, and the feel of these necks is something you really have to experience for yourself. Everything feels immediate, solid, and resonant with tons of sustain. In this video I cover: • Installation and fitment • Tone and playability • Carbon fiber neck features and specs • Why these necks are perfect for changing climates • Sound demos and impressions This neck features: • Composite ebony fretboard • 10"-14" compound radius • Modern C profile • 22 stainless steel medium jumbo frets • Graph Tech NuBone nut No sharp fret edges. No warping. No constant truss rod tweaks. Just stable performance and an incredible playing experience. Check out the full lineup of carbon fiber instruments and replacement necks at Klos: https://klosguitars.com If you enjoy the video, please like, subscribe, and leave a comment letting me know what you think about carbon fiber necks! Follow me on Instagram: https://www.instagram.com/daveporterband Website: https://daveporterband.com Timecodes 0:00 Unboxing and Installation 0:42 Demo One 1:18 Review 3:37 Demo Two 5:00 EMG SPC Control 6:04 Final Thoughts #Klosguitars #Fender #gearreview

I’ve been using the Jamstik MIDI guitar to record most of my keyboard parts—and it’s completely changed my workflow. Chords, basslines, synths… all straight from a guitar. This clip shows just how fast you can build a track using it. Once you get the feel, it’s like unlocking a whole second instrument hiding inside the one you already know. Game-changer? I think so. #Jamstik #MIDIGuitar #MusicProduction #Guitarists #HomeStudio #LogicPro #Synth #MusicCreator

Today we’re diving into the @JamstikGuitars MIDI guitar and exploring how it can completely transform your workflow as a guitarist. I’ve been using this for a while now, and honestly, about 80% of my keyboard parts are recorded with this guitar. The intro track you heard—“Escape from Mos Eisley”—was created entirely with the Jamstik handling every keyboard part. If you’re a guitarist who wants to add keys, synths, bass, or full arrangements to your music (without switching instruments), this might be exactly what you’ve been looking for. 🚀 What we cover in this video: • Jamstik build quality & feel • MIDI tracking performance (the big question 👀) • Setup tips for best results • DAW workflow in Logic Pro • MPE (MIDI Polyphonic Expression) explained • Using virtual instruments like ROLI & Toontrack • Real-world demo: building a track from scratch ⚙️ Why the Jamstik stands out: This guitar features a powerful onboard DSP for real-time polyphonic tracking, USB-C connectivity, and even Bluetooth support. It also doubles as a fully functional electric guitar with humbuckers, making it a versatile tool for both studio and live use. Yes—MIDI guitar takes a clean technique. But in my experience, this is hands-down the best MIDI guitar I’ve used. 🎹 Who is this for? If you’re a: • Guitarist who struggles on keys • Producer looking to speed up workflow • Songwriter building full arrangements solo This tool can save you serious time and unlock new creative possibilities. 🎧 Gear & Software Used: (Check out links below 👇) • Jamstik.com • Toontrack.com • Roli.com • ikmultimedia.com 📱 Follow for more gear demos & music content: Facebook: Dave Porter Instagram: @daveporterband https://daveporterband.com 💬 Drop a comment if you’ve tried MIDI guitar or are thinking about it. Curious to hear your experience! Timecodes 0:00 Intro Song 0:49 Jamstik Midi Guitar 3:00 Virtual Instruments 3:55 Midi Foot Controller 5:00 Jamstik in Action 6:13 Recap and Final Thoughts #midi #jamstik #guitar

I wasn’t expecting this… but this Klos carbon fiber neck might be the best neck I’ve ever played. I paired it with a Fender Ultra II body and the result is unreal. Lightweight, insanely responsive, and built to handle anything—no warping, no cracking, no fuss. Just pure tone, clarity, and sustain. Klos has been quietly making waves with their carbon fiber instruments, and after spending time with this neck, I get the hype. If you’ve ever thought about upgrading your bass, this might change your mind about what a neck can be. Check the link for full specs and installation details—and let me know what you think about carbon fiber vs wood 👇 #bass #bassguitar #bassplayer #gearreview #fenderbass #carbonfiber #klos #bassgear #musicians #guitargear Follow me: https://www.facebook.com/DavidPorter777 https://www.instagram.com/daveporterband Website: https://daveporterband.com

Here's a short section of my song "Intergalactic Space Patrol" from the EP Tag Laser: Intergalactic Space Patrol. Check out the bite of this Ibanez ATK500 bass and it's Stingray Killer, triple coil pickup. 🔥🔥🔥 #bassplayer #basssolo #bassgear #ibanez #bassguitar #the90s #originalsong #musician Follow me on Instagram: https://www.instagram.com/daveporterband Website: https://daveporterband.com

Step back into the 90s and rediscover one of Ibanez’s most underrated bass lines—the ATK series. Often called the “Stingray killer,” the @IbanezOfficial ATK bass stood apart from the sleek Soundgear lineup with its bold body, massive bridge, and signature triple-coil pickup design. Built for punch, grind, and serious presence in a mix, these basses found their way into punk, grunge, and alternative scenes during the mid-90s. In this video, we take a closer look at two standout models: • ATK500KA (Made in Japan – FujiGen) • ATK815E (Premium Series – Indonesia) We’ll break down their construction, electronics, and unique pickup configurations, plus hear how they sound in action. From the early ATK100 and ATK300 to the reissued Premium models, this lineup offered a completely different vibe from Ibanez’s typical designs—bigger, bolder, and unapologetically aggressive. So… was it really a Stingray killer? Maybe not. But it carved out its own lane with clarity, versatility, and serious tonal punch. If you’ve ever owned or played an ATK, drop a comment—I’d love to hear your experience. 👉 Don’t forget to like, subscribe, and check out more bass gear content! Follow me on Instagram: https://www.instagram.com/daveporterband Website: https://daveporterband.com Timecodes 0:00 Intergalactic Space Patrol 2:00 Back to the 90s 3:00 ATK Lineup 3:51 HIGH FRET TIP! 5:04 ATK 500 Tones 7:04 ATK 815 10:30 Final Thoughts #ibanez #gearreview #bassplayer

The new Warwick MS 800 Multi Stage bass amp is here, and it’s an absolute powerhouse packed into a lightweight, compact design. In this video, I walk through every major feature of this dual-channel, 800-watt solid state amp, from its flexible tone shaping and drive controls to its advanced connectivity and bi-amping capabilities. Whether you’re running one or two basses, switching between clean and driven tones or dialing in precise EQ with selectable mid frequencies, the MS 800 offers incredible versatility for stage, studio, and practice. In this video, we cover: * Dual preamp stages with independent gain, drive, EQ, and volume * 800 watts @ 4 ohms / 480 watts @ 8 ohms Class D power * Stacked concentric controls and instant access to both channels * Built-in Drive section with independent channel activation * Integrated tuner with visual tuning indicators * Studio-quality compressor with automatic attack and release * 4-band EQ with selectable low-mid and high-mid center frequencies * Bluetooth connectivity for practice and headphone monitoring * Cabinet emulator with selectable cab models for DI and headphones * FX loop with send and return level controls * XLR DI out with ground lift and pre/post options * Bi-amping capability for separating highs and lows * USB recording and playback support * Multiple speaker outputs and flexible routing options The Warwick MS 800 delivers massive power, precise tone shaping, and modern features in a compact, gig-ready format. It’s one of the most versatile bass amps I’ve ever used. 📒 Check out the catalog of Warwick Amplification: https://indd.adobe.com/view/64692b16-42e5-40b8-8a26-0014a1f9ec7e 👍 Like the video if it helped 🔔 Subscribe for more bass gear demos 🎬 Check out my other Warwick videos on the channel @FramusWarwickOfficial Follow me on Instagram: https://www.instagram.com/daveporterband Website: https://daveporterband.com ⏱ TIMESTAMPS 0:00 Tone Demo 0:38 Front Panel Features 2:06 Drive and Clean Tone Examples 3:50 Tuner 5:05 Compressor 5:40 EQ Section 6:36 Back Panel Features 7:39 Full Range or Bi Amp Switch 8:19 Final Thoughts #Warwick #BassAmp #BassGear #BassTone #BassPlayer #WarwickMS800 #BassRig #BassReview

Key Features: • 800 watts of class D power • Full range or bi-amp mode with 200Hz crossover • Two channels with independent preamps • Switchable drive for each channel • Onboard compressor for tight, even lows • Extraordinary EQ shaping for each channel • Cabinet Emulation for DI or practice • Road-ready design built like a tank From ultra-clean hi-fi clarity to creative bi-amped setups with effects on the highs, the @FramusWarwickOfficial MS 800 covers serious ground. If you’re chasing pro-level bass tone with endless flexibility, this amp delivers. Drop a comment if you’d rock one of these in your rig 👇 Follow me on Instagram: https://www.instagram.com/daveporterband Website: https://daveporterband.com #Warwick #MS800 #BassAmp #BassGear #BiAmping #BassTone #LowEndPower #bassplayer